This is the final part of the series of a case study on translation of a dubbed film from Japanese into English on a Cognitive Linguistics perspective. Focusing on Venuti' s (1995, 2013) domestication and foreignization in translation, Sadamitsu (2020) analyzed the gaps in language / culture and in time between the source and the target text of translation, and demonstrated that domesticated samples were found far more than foreignized ones in order to fill the gaps far more in language / culture than in time. Sadamitsu (2022) went on to conduct more precise analyses on how the translators have dealt with the gabs between the two languages by closely looking at their domesticating strategies for English readers/audience of the film. Specifically, their coping strategies of adding / deleting information of the source text were discussed there. And this paper will examine that of changing information of the source text, which was left untouched in the former papers, to conclude the research series. It will be also discussed here that translation activities are conducted under a powerful and invisible pressure which forces the translators to domesticate the contents more acceptable in the translated culture and society, apparently without noticing it.

This paper follows on Sadamitsu (2020) of a case study on a dubbed film from Japanese into English. Focusing on Venuti's (1995) domestication and foreignization in translation, the paper analyzed the gaps in language/culture and in time between the source and the target text of the translation, and demonstrated that domesticated samples were found far more than foreignized ones in order to fill the former type of gaps. This paper goes on to more precise analyses on how the translators have dealt with the gabs between the two languages by closely looking at their domesticating strategies for English readers/audience of the film. Specifically, their coping strategies of adding/deleting information of the source text will be discussed here based on a Cognitive Linguistics perspective.