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Murakami Ryu

Affiliate Master Yamaguchi University

Publish Date (<span class="translation_missing" title="translation missing: en.view.asc">Asc</span>)
Aesthetics Volume 57 Issue 1 pp. 28 - 41
published_at 2006-06
Creators : 村上 龍 Publishers : 美学会
美学芸術学研究 Volume 28 pp. 21 - 42
published_at 2010-03
Creators : 村上 龍 Publishers : 東京大学大学院人文社会系研究科・文学部美学芸術学研究室
美学芸術学研究 Volume 26 pp. 56 - 77
published_at 2008-03
Creators : 村上 龍 Publishers : 東京大学大学院人文社会系研究科・文学部美学芸術学研究室
Aesthetics Volume 13 pp. 45 - 57
published_at 2009-05
Creators : Murakami Ryu Publishers : 美学会
Schelling-Jahrbuch Volume 15 pp. 65 - 74
published_at 2007-12
Creators : 村上 龍 Publishers : 日本シェリング協会
Kokushikan tetsugaku Volume 16 pp. 38 - 46
published_at 2012-03
Creators : 村上 龍 Publishers : 国士舘大学哲学会
Annual review of the Philosophical Association of Western Japan Volume 22 pp. 37 - 51
published_at 2014-10-05
Creators : 村上 龍 Publishers : 西日本哲学会
Creators : Murakami Ryu Publishers : 山口大学哲学研究会
美学芸術学研究 Volume 28 pp. 259 - 292
published_at 2010-03
Creators : 村上 龍 Publishers : 東京大学大学院人文社会系研究科・文学部美学芸術学研究室
In another paper I pointed out that Henri Bergson (1859-1941), a French philosopher, in his early years argues on <sensibility> from a similar viewpoint to his contemporaries’. In this paper I aim to examine his notion of <sensibility> in his later years, focusing on The Two Sources of Morality and Religion (1932). Although rarely pointed out, in The Two Sources Bergson argues on <sensibility> from his particular point of view. He proposes “a psychology which accords so extensive and so handsome a place to sensibility,” where emotion gains an advantage over intellect and volition. When we compare The Two Sources with Technical and Critical Vocabulary of the Philosophy, a French encyclopedia published in 1926, we see that Bergson has his conception in common with his contemporaries to some extent, but that on the other hand he is outstanding among his contemporaries especially for his paying attention to the <superior component> of <sensibility>, which is characterized by activity and unity, in contrast to the <inferior component>, which is characterized by passivity and multiplicity.
Creators : Murakami Ryu Publishers : 山口大学哲学研究会
In this paper I will consider <rétrospectivité> as a positive element of the Bergsonian notion of <durée>. Around 1930 Henri Bergson borrows from Vladimir Jankélévitch a concept of <illusion de rétrospectivité>, which means a lack of understanding about <durée>. However, his usage of the concept seems not to be true to Jankélévitch’s, in that he regards <rétrospectivité> as a positive element of <durée>. In my opinion, Bergson’s infidelity to Jankélévitch, so to speak, is based on his interest in <histoire>, as far as the mysticism is concerned, which bears fruit in The Two Sources of Morality and Religion (1932). As regards this, Maurice Merleau-Ponty, who criticizes Bergson for his misunderstanding <histoire>, provides an important clue.
Creators : Murakami Ryu Publishers : 山口大学哲学研究会