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フルテキストURLC070015000001.pdf ( 1.8MB ) 公開日 2010-12-10
タイトルアジア太平洋現代美術トライエニアルに見る脱欧米中心主義思潮
タイトルヨミアジア タイヘイヨウ ゲンダイ ビジュツ トライエニアル ニ ミル ダツ オウベイ チュウシン シュギ シチョウ
タイトル別表記De-westernization of the Asia-Pacific Triennial of Contemporary Art
作成者藤川, 哲
作成者ヨミフジカワ, サトシ
作成者別表記Fujikawa, Satoshi
作成者所属山口大学人文学部
内容記述(抄録等)The Queensland Art Gallery (QAG), Brisbane, initiated the Asia-Pacific Triennial of Contemporary Art (APT) in 1993. Dr. Caroline Turner, who had been the Deputy Director of the QAG and curated the serial exhibitions from APT1 to APT3, had stated in the catalogue of APT1 that ”Euro-Americentric perspectives are no longer vaild as a formula for evaluating the art of this region”. This article clarifies the historical context and the practical activities of the de-westernization of APTs. In 1989, the first Asia-Pacific Economic Cooperation (APEC) was inaugurated at Canberra. The original design of Australia for the Asia-Pacific countries had excluded Canada and USA. Dr. John Clark tells us the ambivalence of Australia, which is ”both the extension of Euramerica and also positioned to regard Euramerica as a self-defining 'other'”. APEC has been expanded through 1990s and included Russia, Canada, USA, Mexico, Peru, and Chile, which forms the Pacific rim, though, APTs have not invited the artists form these nations but included the ones from India, Sri Lanka, Pakistan, Fiji, Tonga, Samoa, Cook Islands, Niue, Tahiti, Marquesas Islands, Hawaii, and Torres Strait Islands. The ”contemporary” art, in the APT's view, can not exclude the indigenous people's works, which are conventionally evaluatde as the ”traditional artifact” not the ”fine art” under the Western modernism.
本文言語jpn
主題美学・芸術学
資料タイプtext
ファイル形式application/pdf
出版者山口大学哲学研究会
出版者ヨミヤマグチ ダイガク テツガク ケンキュウカイ
NII資料タイプ紀要論文
ISSN0919-357X
NCIDAN10403441
学内刊行物(紀要等)山口大学哲学研究
掲載誌名山口大学哲学研究
掲載誌名別表記The philosophical studies of Yamaguchi University
15
開始ページ1
終了ページ32
発行日2008-03
著者版/出版社版出版社版
リポジトリIDC070015000001
地域区分山口大学
URIhttp://www.lib.yamaguchi-u.ac.jp/yunoca/handle/C070015000001